Maprox Abstract

Dream Remnants

detail

This painting is exciting (to me).  I love the color harmony. It's a new technique I discovered by accident - I'm always experimenting you know. Usually I'm very open about my techniques, but I'm going to be stingy about this one.

I might present it to my workshop artists.  Right now I'm too enthralled with it to share.

For more information about this painting, click here to go to my website.





I noticed that on my iPad, the image at the top of this post looked too dark. Above is a lighter version.  Variations in monitors makes it hard to judge how much light/dark to have on the photo, especially on a painting done with metallic paints.

All That Jazz

This is another of my mini abstracts featuring a section of a foam plate palette remnant.   Since the central square is color left on my palette, it often leads to unusual color combinations.

There's a touch of pink that is a mystery because I don't know where it came from.  I am not a fan of pink, but it works in this composition.

For more information on this painting, click here to go to my website.

Headlines

detail

I am excited about this piece.  I consider it a keystone painting, in that I have never successfully done anything quite like this before. It could signal a new direction I may want to pursue.

It does not fit into my current series of geologic abstracts or forest abstracts.  It is totally nonrepresentational. 

I would say it is a celebration of texture, somewhat muted color, and composition.  Creating a painting like this somewhat like a Japanese Zen garden, where every stone, every plant, is carefully placed to create a harmonious environment.

As I worked on this painting, it was a matter of placing the various patterns and texture elements, then building up layers until it looked harmonious, or Zen-like, to me. There were several points during which I had to step away and do something else, so that when I came back to the painting again, I saw it with fresh eyes.

As with all abstracts, I did not have a vision in my mind of the completed painting.  Instead, the painting evolved as it was being created.

Surprisingly, my husband did not say YUK when he saw it - he's not a fan of abstract.  He even came up with the title, which I kind of like because of the lettering and the complexity of the piece.

For more information about this painting, click here to go to my website.